A Slow Burlesque
Created and Performed by Freya Silas Finch
A Slow Burlesque tells a story of transformation told through absurd comedy, physical theatre, burlesque and many, many, many costume changes.
Role
Set Design
Year
2024
Presented by
Silo Theatre
Venue
Basement, Mainspace
Creative Team
Performance - Freya Silas Finch
Director - Jo Randerson
Dramaturgy - Sophie Roberts
Costume Design - Kirsty Cameron, Tautahi Subritzky
Lighting Design - Bekky Boyce
Sound Design - Cello Forrester
Choreography - Josie Archer
Photographs courtesy of Andi Crown
A Slow Burlesque was such a special show to collaborate on. It was the first ever production I’d worked on where the design was costume led. It was really exciting to rethink costume as set. I loved collaborating closely with Freya, Jo, Kirsty and Tau to discover new ways for costume to become set. We explored lots of ways in which costumes could live on stage. I mean this is both a practical level, but also conceptually. If we think of each piece of costume as a character, how do they inhabit the space before and after the performer puts them on and “animates” them. Like putting a shoe at the foot of a stool, or draping a shirt on the floor in such a way that it looks like its wearer has magically disappeared.
Another key aspect of the design was to bring to life the world of a fading burlesque theatre. Being at the Basement Theatre, meant that a lot of my work was done for me, as the space already has such rich character and history. All I had to do was wrangle the seating configuration to expose all of its backstage glory, and hunt down some old Axminster carpet (which is quite tricky nowadays!) and dye it red.
How to Throw a Chinese Funeral 婆婆再见
A play by Jill Kwan
When Lily and Anna’s grandmother passes away, they must reunite with their family in Malaysia to orchestrate her Taoist funeral - a custom lost even to their headstrong mum and outrageous Auntie.
Role
Set Design
Year
2023
Co-Produced By:
Hand Pulled Collective
Proudly Asian Theatre
Venue
Basement Mainspace
Creative Team
Co-Producers - Natalya Mandich-Dohnt, John Rata
Playwright & Director - Jill Kwan
Lighting & Scenet Design, Operator - Rae Longshaw-Park
Props Design - Cinta Damerell
Props Assistant - JingCheng Zhao
Set Design Mentor - John Veryt
Set Assistant - Tema Pua
Shadow Puppetry & Projections Design - Darryl Chin
Shadow Puppet Assistant - Yin-Chi Lee
Music Composition & Sound Design - Fiona Chua
Directing Mentor - Ahi Karunaharn
Dramaturge - Renee Liang
Cantonese Translation & Coach - Audrey Chan
Marketing Mananger - Jennifer Cheuk
Photography - John Rata
Stage Manager - Lisa Joe
Cast - Lisa Zhang, Ann An, Janet Tan, Yoong Ru Heng, Mustaq Missouri and Charles Chan
What drew me to this project was the fact that it was based in Malaysia. As a New Zealand born Malaysian-Chinese, I cannot recall any other time I have heard my parents’ accents and our culture depicted on a New Zealand stage. Jill’s directorial vision was ambitious, involving puppetry and projection, which made for fun design challenges.
婆婆 Po Po’s altar is the obtrusive “mountain” at the centre of the story, which all the characters and plot revolves around. Drawing upon Taoist and Buddhist beliefs, that the spirit remains on earth for a few days before going to heaven, I wanted to extend the altar to the entire house. I drew inspiration from the materiality of Chinese paper offerings and joss paper.
In Chinese ancestor worship, burning paper offerings is a physical expression of kinship and filial piety to ensure the wellbeing of the deceased in the afterlife.
Suspended white screens displaying the architecture of the house form the joss paper backdrop to the golden centre of the altar. This transforms the house into a transient space, the meeting place between the living and the dead, past and present. As character Yi explains, “ [婆婆 Po Po] is still with us!”.
Rituals of Similarity
A contemporary dance duet by Brittany and Natasha Kohler for Dance Plant Collective, unravelling the intricate layers of twinhood.
Role
Set Design
Year
2023
Co-Presented By:
Dance Plant Collective and Q Theatre
Venue
Q Loft
Creative Team
Choreographers and Performers - Brittany Kohler and Natasha Kohler
Producer - Julie Zhu
Costume Designer - Zoë McNicholas
Lighting Designer & Op - Paul Bennett
Sound Designer - Lucien Johnson
This was a very special collaboration. Being a twin myself, there was an instant understanding which made for a seamless design process.
At the start of the project, Brit and Tash presented me with a beautiful mood board of inflated spaces and soft moldable forms, all in a striking colour scheme of pinks and oranges. We wanted to transport the audience into the world of the womb.
The drape of the sheer curtains echoes the shape of ultrasound scans and cocoons the dancers in a womb-like arena that feels altogether otherworldly yet familiar, enveloping yet expansive, homely yet sacred.
Photographs by Amanda Billing
“Though minimal, where designer Talia Pua excels is in textures. Tapere Nui’s black box has become a white cocoon, a blank canvas for the liminal spaces the performers move through. The sheer white drapes work beautifully to catch the performer’s shadows, while also bringing to mind a vaguely recalled term from high school biology - the amniotic sac.”
